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Lev Manovich

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The beginning of Film was to capture reality, however the concept of video art and expanded cinema started critiques on the art form, for example Lev Manovich believed that digital media redefined the identity of cinema, describing it as a hybrid combining film footage and digital effects & 3D modelling. It was thought that though cinema had opened many possibilities, this new adaptation of the art would rather cause the erasure of the history of cinema and its foundation in “recording reality”.

Manovich believed that digital cinema was a form of animation, and I say many rebuttal arguments on the matter, but an opinion I can argue on with this matter is that film is still true to its nature.

Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact Social Critique & Cultural Social Critique & Cultural Impact

To provide some background, When video art and expanded cinema started popularizing in the 1970s, Feminists noticed the level of intimacy created through video and quickly adopted this style of art, video art becoming a feminist staple. Many pieces were created challenging mainstream portrayals of the female body and tackling conversations about gender roles and non-binary sexuality. Video Art also lowered the barrier of entry into creative spaces, enabling a more diverse range of creators and perspectives to produce and distribute films. Message of video art was easily globalized and institutionalized perspectives meant to deconstruct the dominant reality.

REALITY VS CINEMATOGRAPHY

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